Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from San Marino and from Portland.
But I was there.

I was there in 1962.
I was there at the first Guess Who show in Winnipeg.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1965 to 1971.
I'm losing my edge.

To all the kids in Halifax and Tehran.
I'm losing my edge to the art-school Bremen kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1983 at the first Art of Noise practice in a loft in London.
I was working on the clarinet sounds with much patience.
I was there when Lou Reed started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Tom Boy to the funk kids.
I played it at the Spitz.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Amon Düül. All the underground hits.

All Derrick Morgan tracks. I heard you have a vinyl of every Dr. Dre and Snoop Doggy Dog record on German import.

I heard that you have a white label of every seminal techno hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '90s.

I hear you're buying a sitar and a harpsichord and are throwing your macbook out the window because you want to make something real. You want to make a Lindisfarne record.

I hear that you and your band have sold your clarinet and bought a rhodes.
I hear that you and your band have sold your rhodes and bought a clarinet.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

The Happenings, Reagan Youth, Public Enemy, The Human League, Royal Trux, Robert Görl, Maurizio, Bizarre Inc., The Chocolate Watch Band, Joy Division, Scott Walker + Sunn O))), Flash Fearless, Yellowson, Wire, Sixth Finger, Black Sheep, Kauko Röyhkä ja Narttu, Infiniti, Echo & the Bunnymen, Outsiders, Scrapy, Richard Hell and the Voidoids, Fort Wilson Riot, Darondo, Gang of Four, Nirvana, Yaz, Lakeside, the Germs, Depeche Mode, Mo-Dettes, Fugazi, 10cc, Mars, Kango’s Stein Massive, Tomorrow, Scientists, Das Ding, Brass Construction, Erasure, Black Bananas, Magma, Barry Ungar, Country Teasers, Al Stewart, The Divine Comedy, Arthur Verocai, Magazine, The Pop Group, Charles Mingus, Wings, Talk Talk, Harry Pussy, Bad Manners, Deakin, Severed Heads, Jacob Miller, Banda Bassotti, Godley & Creme, Godley & Creme, Godley & Creme, Godley & Creme.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)