Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Qatar and from Beijing.
But I was there.

I was there in 1971.
I was there at the first Big Star show in Memphis.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1969 to 1970.
I'm losing my edge.

To all the kids in Glasgow and New York.
I'm losing my edge to the art-school Portland kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1970 at the first Onyeabor practice in a loft in Enugu.
I was working on the 808 sounds with much patience.
I was there when Nile Rodgers started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Smog to the funk kids.
I played it at CBGB's.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Bobby Womack. All the underground hits.

All Minor Threat tracks. I heard you have a vinyl of every Marmalade record on German import.

I heard that you have a white label of every seminal techno hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '90s.

I hear you're buying an arpeggiator and a snare and are throwing your macbook out the window because you want to make something real. You want to make a Ken Boothe record.

I hear that you and your band have sold your organ and bought a clarinet.
I hear that you and your band have sold your clarinet and bought an organ.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Ituana, Mo-Dettes, Letta Mbulu, Siglo XX, Avey Tare, Spoonie Gee, The Litter, Neu!, Al Stewart, The Modern Lovers, The Leaves, The Cowsills, Reagan Youth, Simply Red, Oblivians, Scion, Massinfluence, Ornette Coleman, The Tremeloes, Lonnie Liston Smith, Robert Görl, New Order, The Star Department, Echo & the Bunnymen, Michelle Simonal, Minny Pops, The Golliwogs, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Y Pants, Gary Puckett & The Union Gap, Suburban Knight, Sugar Minott, Byron Stingily, The Wake, Kings Of Tomorrow, Masta Ace, Craig G, Kool G Rap, Big Daddy Kane, Clear Light, Sun City Girls, Ronnie Foster, Urselle, The Move, Tres Demented, Drexciya, The Pretty Things, the Sonics, Fela Kuti, AZ, The Count Five, Be Bop Deluxe, Pierre Henry, Pylon, Roy Ayers Ubiquity, Prince Buster, Arab on Radar, Chris Corsano, Lebanon Hanover, The Moody Blues, Davy DMX, Lafayette Afro Rock Band, Marcia Griffiths, Marcia Griffiths, Marcia Griffiths, Marcia Griffiths.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)