Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Laos and from Tehran.
But I was there.
I was there in 1976.
I was there at the first Wire show in Watford.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1968 to 1974.
I'm losing my edge.
To all the kids in London and Hong Kong.
I'm losing my edge to the art-school Accra kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1971 at the first Selda practice in a loft in Istanbul.
I was working on the spring reverb sounds with much patience.
I was there when Robert Palmer started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Stiv Bators to the crunk kids.
I played it at the Astoria.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by The Mighty Diamonds. All the underground hits.
All Marc Almond tracks. I heard you have a vinyl of every Jerry Gold Smith record on German import.
I heard that you have a white label of every seminal electroclash hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '70s.
I hear you're buying an arpeggiator and a synthesizer and are throwing your macbook out the window because you want to make something real. You want to make a The Modern Lovers record.
I hear that you and your band have sold your arpeggiator and bought a mellotron.
I hear that you and your band have sold your mellotron and bought an arpeggiator.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Graham Central Station,
L. Decosne,
Heavy D & The Boyz,
Sunsets and Hearts,
Scrapy,
The Gap Band,
Negative Approach,
Stiv Bators,
Blossom Toes,
Eli Mardock,
The Fuzztones,
Von Mondo,
Darondo,
Stereo Dub,
Maurizio,
Cameo,
U.S. Maple,
The Selecter,
Man Parrish,
Anakelly,
Bizarre Inc.,
Gastr Del Sol,
The Evens,
Barclay James Harvest,
Fear,
Glambeats Corp.,
Dark Day,
The Knickerbockers,
Mary Jane Girls,
Spandau Ballet,
Larry & the Blue Notes,
Skarface,
The Doobie Brothers,
Black Moon,
Gil Scott Heron,
the Germs,
The Birthday Party,
Yellowson,
Sandy B,
The Flesh Eaters,
Gil Scott-Heron & Brian Jackson,
Ultra Naté,
Subhumans,
Echo & the Bunnymen,
Minor Threat,
Zero Boys,
Jerry's Kids,
The Cure,
Camron Feat. Jay Z And Juelz,
Soft Cell,
Sticky Fingaz feat. Raekwon,
The Cramps,
Black Flag,
Rahsaan Roland Kirk,
Mars,
David McCallum,
The Misunderstood,
Lungfish,
DJ Sneak,
Derrick May,
Bronski Beat,
Radiopuhelimet,
Public Image Ltd., Public Image Ltd., Public Image Ltd., Public Image Ltd..
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.