Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Ireland and from Manchester.
But I was there.

I was there in 1976.
I was there at the first Feelies show in Haledon.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1969 to 1971.
I'm losing my edge.

To all the kids in Shanghai and Toronto.
I'm losing my edge to the art-school Philadelphia kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1971 at the first Neu! practice in a loft in Düsseldorf.
I was working on the 808 sounds with much patience.
I was there when Tom Verlaine started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing The Doors to the techno kids.
I played it at the Astoria.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Visage. All the underground hits.

All Agitation Free tracks. I heard you have a vinyl of every Nick Cave & The Bad Seeds record on German import.

I heard that you have a white label of every seminal rock hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '90s.

I hear you're buying a chamberlin and a harpsichord and are throwing your macbook out the window because you want to make something real. You want to make a Manfred Mann's Earth Band record.

I hear that you and your band have sold your linndrum and bought a theremin.
I hear that you and your band have sold your theremin and bought a linndrum.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Pagans, June Days, The Raincoats, Slave, Monks, Nick Cave & The Bad Seeds, The Fire Engines, DeepChord presents Echospace, James White and The Blacks, Swell Maps, Skaos, Rekid, A Certain Ratio, Bauhaus, China Crisis, Lou Reed & John Cale, Inner City, Sexual Harrassment, Brand Nubian, New Order, Nirvana, Pantytec, Black Sheep, Prince Buster, Lizzy Mercier Descloux, The Knickerbockers, Excepter, Lalann, Kango’s Stein Massive, Janne Schatter, Ajijia Myrayebe, The Fortunes, Todd Rundgren, The West Coast Pop Art Experimental Band, Chris & Cosey, Aswad, Skriet, John Lydon, Todd Terry, Ralphi Rosario, Mary Jane Girls, Heaven 17, Manfred Mann's Earth Band, Crime, Symarip, Anakelly, Yusef Lateef, Soul Sonic Force, Bang On A Can, Jerry Gold Smith, Animal Collective, Captain Beefheart & His Magic Band, Eli Mardock, The Trojans, Boz Scaggs, The Residents, The Five Americans, Scratch Acid, Reagan Youth, Alton Ellis, Justin Hinds & The Dominoes, Justin Hinds & The Dominoes, Justin Hinds & The Dominoes, Justin Hinds & The Dominoes.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)