Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Mongolia and from Paris.
But I was there.
I was there in 1979.
I was there at the first Josef K show in Edinburgh.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1970.
I'm losing my edge.
To all the kids in Jakarta and Bologna.
I'm losing my edge to the art-school Edmonton kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1962 at the first Guess Who practice in a loft in Winnipeg.
I was working on the organ sounds with much patience.
I was there when Nile Rodgers started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Roger Hodgson to the rock kids.
I played it at the Troubador.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Soul II Soul. All the underground hits.
All The Saints tracks. I heard you have a vinyl of every Swell Maps record on German import.
I heard that you have a white label of every seminal punk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '90s.
I hear you're buying a sitar and a theremin and are throwing your macbook out the window because you want to make something real. You want to make a Eric Copeland record.
I hear that you and your band have sold your clarinet and bought a mellotron.
I hear that you and your band have sold your mellotron and bought a clarinet.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
James White and The Blacks,
Idris Muhammad,
The Raincoats,
Camron Feat. Jay Z And Juelz,
New Order,
Charles Mingus,
Animal Collective,
Albert Ayler,
Yazoo,
Gil Scott-Heron and Jamie xx,
8 Eyed Spy,
The Detroit Cobras,
The Modern Lovers,
The Stooges,
Ralphi Rosario,
The Neon Judgement,
cv313,
Henry Cow,
The American Breed,
Tres Demented,
Lungfish,
ABC,
Country Joe & The Fish,
Tommy Roe,
Mad Mike,
Cybotron,
Rhythim Is Rhythim,
Bootsy Collins,
Talk Talk,
Fifty Foot Hose,
Robert Wyatt,
Roxy Music,
Eric Dolphy,
Rod Modell,
Kerrie Biddell,
Q and Not U,
The Evens,
Manfred Mann's Earth Band,
Angry Samoans,
Kings Of Tomorrow,
Khruangbin,
It's A Beautiful Day,
JFA,
Pierre Henry,
Richard Hell and the Voidoids,
Dead Boys,
Robert Hood,
Laurel Aitken,
Severed Heads,
Gerry Rafferty,
Tomorrow,
Fort Wilson Riot,
The Motions,
The West Coast Pop Art Experimental Band,
Swell Maps,
Oppenheimer Analysis,
Ornette Coleman,
Vainqueur,
Lalann,
Bobby Womack,
Niagra,
John Foxx,
Bill Near, Bill Near, Bill Near, Bill Near.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.