Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Turkmenistan and from Manila.
But I was there.

I was there in .
I was there at the first Suicide show in New York.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1965 to 1979.
I'm losing my edge.

To all the kids in Beijing and Beijing.
I'm losing my edge to the art-school Copenhagen kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1984 at the first Arcadia practice in a loft in London.
I was working on the oboe sounds with much patience.
I was there when Holger Czukay started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing The Martian to the dance kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by The Names. All the underground hits.

All The Angels of Light tracks. I heard you have a vinyl of every Maurizio record on German import.

I heard that you have a white label of every seminal rap hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '70s cut and another box set from the '80s.

I hear you're buying a synthesizer and a güiro and are throwing your macbook out the window because you want to make something real. You want to make a Slick Rick record.

I hear that you and your band have sold your linndrum and bought a 808.
I hear that you and your band have sold your 808 and bought a linndrum.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

The Blues Magoos, Faust, Tim Buckley, Donald Byrd, Major Organ And The Adding Machine, Nik Kershaw, Electric Light Orchestra, Nas, Jacob Miller, Camron Feat. Jay Z And Juelz, Anakelly, The Gap Band, Country Joe & The Fish, Nirvana, Marc Almond, L. Decosne, Archie Shepp, Wally Richardson, Suburban Knight, London Community Gospel Choir, Vainqueur, The Shadows of Knight, Magma, Sällskapet, The Cosmic Jokers, A Flock of Seagulls, Radiopuhelimet, Radiohead, PIL, Kool Moe Dee, Rod Modell, The Golliwogs, Organ, The Doobie Brothers, FM Einheit, Dennis Brown, Metal Thangz, Toni Rubio, Camberwell Now, Erasure, Traffic Nightmare, Sunsets and Hearts, Lucky Dragons, Thompson Twins, Teenage Jesus and the Jerks, Ultravox, Basic Channel, The Count Five, The Dead C, Pharoah Sanders, Tres Demented, John Lydon, Avey Tare & Kría Brekkan, Inner City, Frankie Knuckles, Justin Hinds & The Dominoes, Wire, Steve Hackett, The West Coast Pop Art Experimental Band, Deutsch Amerikanische Freundschaft, Deutsch Amerikanische Freundschaft, Deutsch Amerikanische Freundschaft, Deutsch Amerikanische Freundschaft.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)