Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Haiti and from London.
But I was there.

I was there in 1967.
I was there at the first Rodriguez show in Detroit.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1966 to 1977.
I'm losing my edge.

To all the kids in Seoul and Johannesburg.
I'm losing my edge to the art-school Manchester kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1983 at the first Lewis practice in a loft in Vancouver.
I was working on the harpsichord sounds with much patience.
I was there when Tom Verlaine started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Fifty Foot Hose to the punk kids.
I played it at Cafe Wha.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by H. Thieme. All the underground hits.

All Rosa Yemen tracks. I heard you have a vinyl of every The Black Dice record on German import.

I heard that you have a white label of every seminal rap hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '80s.

I hear you're buying a guitar and an oboe and are throwing your macbook out the window because you want to make something real. You want to make a Kevin Saunderson record.

I hear that you and your band have sold your oboe and bought a güiro.
I hear that you and your band have sold your güiro and bought an oboe.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Rufus Thomas, Cal Tjader, The Moody Blues, The Seeds, Main Source, The Sisters of Mercy, Crash Course in Science, Curtis Mayfield, Mad Mike, Eric B and Rakim, Amon Düül, Icehouse, Blossom Toes, Michelle Simonal, Funkadelic, Sister Nancy, Masta Ace, Craig G, Kool G Rap, Big Daddy Kane, Dr. Dre and Snoop Doggy Dog, Jawbox, Bizarre Inc., Black Pus, Boogie Down Productions, Ultramagnetic MC's, B.T. Express, The Techniques, Panda Bear, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, EPMD, Schoolly D, Bang On A Can, Negative Approach, Johnny Osbourne, Electric Light Orchestra, Bush Tetras, David Bowie, KRS-One, Bobby Sherman, Jesper Dahlback, John Holt, Camouflage, Suicide, Dark Day, Simply Red, Eric Copeland, Juan Atkins, Sly & The Family Stone, Andrew Hill, Mo-Dettes, DeepChord presents Echospace, Minny Pops, Gang of Four, The Alarm Clocks, Jerry Gold Smith, The Toasters, Yellowson, Bootsy Collins, Parry Music, Con Funk Shun, DJ Sneak, Kango’s Stein Massive, Notorious Big And Bone Thugs, Notorious Big And Bone Thugs, Notorious Big And Bone Thugs, Notorious Big And Bone Thugs.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)