Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Qatar and from Tokyo.
But I was there.

I was there in 1987.
I was there at the first Nirvana show in Seattle.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1978.
I'm losing my edge.

To all the kids in Paris and Winnipeg.
I'm losing my edge to the art-school Milan kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1980 at the first Cybotron practice in a loft in Detroit.
I was working on the harpsichord sounds with much patience.
I was there when Nile Rodgers started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Spoonie Gee to the crunk kids.
I played it at the 40 Watt.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Gil Scott Heron. All the underground hits.

All Tom Boy tracks. I heard you have a vinyl of every The Victims record on German import.

I heard that you have a white label of every seminal disco hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '80s.

I hear you're buying an oboe and a guitar and are throwing your macbook out the window because you want to make something real. You want to make a Avey Tare & Kría Brekkan record.

I hear that you and your band have sold your snare and bought an arpeggiator.
I hear that you and your band have sold your arpeggiator and bought a snare.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

One Last Wish, The Neon Judgement, Gang Gang Dance, Technova, Black Moon, DJ Style, Dead Boys, Mandrill, Kenny Larkin, Cal Tjader, Sarah Menescal, Essential Logic, Cameo, The Five Americans, Ronnie Foster, Jandek, The Royal Family And The Poor, Jeff Lynne, the Slits, Warren Ellis, Hoover, Icehouse, It's A Beautiful Day, Yellowson, The Dave Clark Five, Desert Stars, Banda Bassotti, Stereo Dub, Ituana, Intrusion, Justin Hinds & The Dominoes, Boz Scaggs, Radio Birdman, The Buckinghams, The Moleskins, Dave Gahan, Jeff Mills, Stiv Bators, Fear, the Soft Cell, The Trojans, This Heat, Cecil Taylor, the Bar-Kays, Ponytail, The J.B.'s, Animal Collective, The Fall, UT, The Remains, H. Thieme, Sugar Minott, Sticky Fingaz feat. Raekwon, Severed Heads, The Gun Club, Neu!, Electric Prunes, Ornette Coleman, Angry Samoans, Angry Samoans, Angry Samoans, Angry Samoans.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)