Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Indonesia and from Copenhagen.
But I was there.
I was there in 1971.
I was there at the first Neu! show in Düsseldorf.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1979.
I'm losing my edge.
To all the kids in Portland and Philadelphia.
I'm losing my edge to the art-school New York kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1984 at the first Arcadia practice in a loft in London.
I was working on the snare sounds with much patience.
I was there when Donald Fagen started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing The Gladiators to the grime kids.
I played it at CBGB's.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Nirvana. All the underground hits.
All Arab on Radar tracks. I heard you have a vinyl of every Tommy Roe record on German import.
I heard that you have a white label of every seminal rap hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '90s.
I hear you're buying an organ and a 808 and are throwing your macbook out the window because you want to make something real. You want to make a Blancmange record.
I hear that you and your band have sold your mellotron and bought a rhodes.
I hear that you and your band have sold your rhodes and bought a mellotron.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Pete Rock & C.L. Smooth,
The Zeros,
Rahsaan Roland Kirk,
Warren Ellis,
Jawbox,
Connie Case,
Marc Almond,
Saccharine Trust,
The Cosmic Jokers,
Newcleus,
Scrapy,
Brass Construction,
Livin' Joy,
Moby Grape,
LL Cool J,
Dr. Dre and Snoop Doggy Dog,
Faust,
The Modern Lovers,
Sun Ra,
Radiohead,
Interpol,
Wally Richardson,
Mr. Review,
Oppenheimer Analysis,
Todd Rundgren,
Soul Sonic Force,
Ultravox,
The Dead C,
Terror Squad Feat. Camron,
New Age Steppers,
Colin Newman,
Dark Day,
Funky Four + One,
Brothers Johnson,
Soft Cell,
Index,
Marvin Gaye,
The Litter,
Sister Nancy,
Althea and Donna,
Black Moon,
Jimmy McGriff,
The Cure,
Groovy Waters,
It's A Beautiful Day,
Cabaret Voltaire,
B.T. Express,
Rhythim Is Rhythim,
Can,
Erasure,
MC5,
Unwound,
Stereo Dub,
Louis and Bebe Barron,
Peter Gordon & Love of Life Orchestra,
Grauzone,
Procol Harum,
Youth Brigade,
Pulsallama,
Skarface,
The Skatalites,
cv313,
The Doobie Brothers, The Doobie Brothers, The Doobie Brothers, The Doobie Brothers.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.