Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Comoros and from Philadelphia.
But I was there.

I was there in 1977.
I was there at the first Mistral show in Amsterdam.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1966 to 1978.
I'm losing my edge.

To all the kids in London and Portland.
I'm losing my edge to the art-school Winnipeg kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1987 at the first Nirvana practice in a loft in Seattle.
I was working on the rhodes sounds with much patience.
I was there when Michael McDonald started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Lou Reed & John Cale to the techno kids.
I played it at the Troubador.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Hashim. All the underground hits.

All Black Flag tracks. I heard you have a vinyl of every Grauzone record on German import.

I heard that you have a white label of every seminal techno hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '60s cut and another box set from the '80s.

I hear you're buying a theremin and a marimba and are throwing your macbook out the window because you want to make something real. You want to make a The Fugs record.

I hear that you and your band have sold your snare and bought a mellotron.
I hear that you and your band have sold your mellotron and bought a snare.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Rahsaan Roland Kirk, The Fugs, Big Daddy Kane, Lyres, Kerri Chandler, Swans, Warren Ellis, The Durutti Column, The Grass Roots, Sonic Youth, Essential Logic, Wings, Tropical Tobacco, Masta Ace, Craig G, Kool G Rap, Big Daddy Kane, Art Ensemble Of Chicago, Rosa Yemen, Matthew Bourne, a-ha, The Young Rascals, Hot Snakes, E-Dancer, Major Organ And The Adding Machine, Boredoms, The Trojans, Jeff Mills, The Count Five, The Sound, Josef K, The J.B.'s, Loose Ends, Lonnie Liston Smith, Chris & Cosey, Pantytec, Minor Threat, Funky Four + One, Bobbi Humphrey, Public Image Ltd., Soft Cell, Black Flag, Maleditus Sound, Kauko Röyhkä ja Narttu, Scientists, Notorious BIG live in Amsterdam, The Smoke, David Bowie, Pantaleimon, Notorious Big And Bone Thugs, Bobby Womack, Spandau Ballet, Roxy Music, Fear, The Move, DJ Style, The Star Department, Warsaw, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Blancmange, the Normal, Richard Hell and the Voidoids, Sarah Menescal, John Coltrane, Circle Jerks, Angels of Light & Akron/Family, Angels of Light & Akron/Family, Angels of Light & Akron/Family, Angels of Light & Akron/Family.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)