Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Sudan and from Houston.
But I was there.

I was there in 1987.
I was there at the first Nirvana show in Seattle.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1961 to 1970.
I'm losing my edge.

To all the kids in Philadelphia and Salvador.
I'm losing my edge to the art-school Lille kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1973 at the first Television practice in a loft in New York.
I was working on the spring reverb sounds with much patience.
I was there when Captain Beefheart started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Notorious BIG live in Amsterdam to the disco kids.
I played it at CBGB's.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Blake Baxter. All the underground hits.

All Sly & The Family Stone tracks. I heard you have a vinyl of every Funkadelic record on German import.

I heard that you have a white label of every seminal techno hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '90s.

I hear you're buying an oboe and a 808 and are throwing your macbook out the window because you want to make something real. You want to make a The Dirtbombs record.

I hear that you and your band have sold your organ and bought a theremin.
I hear that you and your band have sold your theremin and bought an organ.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Porter Ricks, The Selecter, One Last Wish, the Association, Johnny Osbourne, Roy Ayers Ubiquity, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Sixth Finger, Main Source, Rotary Connection, Sister Nancy, Larry & the Blue Notes, DNA, Monolake, Bobby Byrd, Kenny Larkin, X-101, Crispy Ambulance, The Shadows of Knight, ABBA, Harry Pussy, Barry Ungar, Amon Düül, James White and The Blacks, The Golliwogs, Roy Ayers, Malaria!, Sparks, Urselle, Rod Modell, MDC, Desert Stars, Gary Puckett & The Union Gap, Joy Division, Mr. Review, Kauko Röyhkä ja Narttu, Public Enemy, The Invisible, Röyhkä ja Rättö ja Lehtisalo, Lindisfarne, Pagans, Archie Shepp, Eric Copeland, Lonnie Liston Smith, Kaleidoscope, a-ha, Lou Reed & John Cale, Sticky Fingaz feat. Raekwon, Camron Feat. Memphis Bleek And Beenie Seigel, Liliput, Boredoms, Tomorrow, The Cure, Simply Red, Captain Beefheart & His Magic Band, Ice-T, Brothers Johnson, Steve Hackett, Bootsy's Rubber Band, Altered Images, Agent Orange, Dr. Dre and Snoop Doggy Dog, Dr. Dre and Snoop Doggy Dog, Dr. Dre and Snoop Doggy Dog, Dr. Dre and Snoop Doggy Dog.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)