Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Maldives and from Portland.
But I was there.
I was there in 1976.
I was there at the first Buzzcocks show in Bolton.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1966 to 1977.
I'm losing my edge.
To all the kids in Halifax and Lyon.
I'm losing my edge to the art-school Tokyo kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1976 at the first Wire practice in a loft in Watford.
I was working on the sitar sounds with much patience.
I was there when Robert Palmer started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Intrusion to the jazz kids.
I played it at the Spitz.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by The Move. All the underground hits.
All Scott Walker tracks. I heard you have a vinyl of every Wally Richardson record on German import.
I heard that you have a white label of every seminal funk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '90s.
I hear you're buying a spring reverb and a linndrum and are throwing your macbook out the window because you want to make something real. You want to make a The Saints record.
I hear that you and your band have sold your sitar and bought a theremin.
I hear that you and your band have sold your theremin and bought a sitar.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Stiv Bators,
Gil Scott Heron,
Bang On A Can,
Henry Cow,
Nik Kershaw,
Marcia Griffiths,
The Standells,
Visage,
Curtis Mayfield,
Soulsonic Force,
Heavy D & The Boyz,
Underground Resistance,
Boz Scaggs,
Bobby Sherman,
Grauzone,
Jawbox,
the Slits,
Saccharine Trust,
Banda Bassotti,
Echospace,
Ten City,
Camron Feat. Jay Z And Juelz,
Susan Cadogan,
Davy DMX,
Groovy Waters,
Danielle Patucci,
Mad Mike,
Charles Mingus,
Black Pus,
Mandrill,
Juan Atkins,
Talk Talk,
Television Personalities,
The Tremeloes,
Essential Logic,
Skriet,
Crime,
The Monks,
Drive Like Jehu,
Altered Images,
Youth Brigade,
Bobby Hutcherson,
Crispian St. Peters,
Louis and Bebe Barron,
Roy Ayers,
Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic,
Black Flag,
Black Bananas,
Johnny Clarke,
Camron Feat. Memphis Bleek And Beenie Seigel,
The Cowsills,
E-Dancer,
Sun Ra Arkestra,
Zapp,
The Index,
cv313,
Gastr Del Sol,
Zero Boys,
The Evens,
The Five Americans,
A Certain Ratio,
Crispy Ambulance,
Sly & The Family Stone, Sly & The Family Stone, Sly & The Family Stone, Sly & The Family Stone.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.