Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Monaco and from Houston.
But I was there.

I was there in 1976.
I was there at the first Soft Boys show in Cambridge.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1960 to 1970.
I'm losing my edge.

To all the kids in Milan and Beijing.
I'm losing my edge to the art-school Tehran kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1984 at the first Arcadia practice in a loft in London.
I was working on the chamberlin sounds with much patience.
I was there when Donald Fagen started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Bobby Byrd to the techno kids.
I played it at the Troubador.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Stockholm Monsters. All the underground hits.

All Nirvana tracks. I heard you have a vinyl of every cv313 record on German import.

I heard that you have a white label of every seminal techno hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '70s.

I hear you're buying a marimba and a theremin and are throwing your macbook out the window because you want to make something real. You want to make a Heaven 17 record.

I hear that you and your band have sold your güiro and bought a sitar.
I hear that you and your band have sold your sitar and bought a güiro.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

The Moody Blues, EPMD, Organ, X-101, Delon & Dalcan, Aswad, The Slackers, Loose Ends, Siouxsie and the Banshees, Nik Kershaw, Gang Starr, Basic Channel, Steve Hackett, Crispy Ambulance, Grandmaster Flash and the Furious Five, OOIOO, Dr. Dre and Snoop Doggy Dog, Echo & the Bunnymen, Y Pants, Sällskapet, Derrick May, The Fuzztones, Agent Orange, Justin Hinds & The Dominoes, Chris & Cosey, Visage, Bronski Beat, Gastr Del Sol, Swell Maps, Eric Copeland, Theoretical Girls, Marvin Gaye, The Saints, H. Thieme, Richard Hell and the Voidoids, Country Teasers, K-Klass, The Knickerbockers, Rapeman, Gil Scott-Heron & Brian Jackson, Yellowson, Lower 48, the Sonics, The Young Rascals, Donald Byrd, Dark Day, Manfred Mann's Earth Band, Jesper Dahlbäck, Interpol, PIL, Heaven 17, Amon Düül, Brothers Johnson, Brick, The Index, Marc Almond, Rahsaan Roland Kirk, Clear Light, The Toasters, Sticky Fingaz feat. Raekwon, Nils Olav, The American Breed, Outsiders, DeepChord presents Echospace, DeepChord presents Echospace, DeepChord presents Echospace, DeepChord presents Echospace.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)