Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Solomon Islands and from Shanghai.
But I was there.
I was there in 1973.
I was there at the first Television show in New York.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1962 to 1972.
I'm losing my edge.
To all the kids in Taipei and Taipei.
I'm losing my edge to the art-school Taipei kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1980 at the first Cybotron practice in a loft in Detroit.
I was working on the organ sounds with much patience.
I was there when Donald Fagen started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Harmonia to the rap kids.
I played it at the Astoria.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by Robert Wyatt. All the underground hits.
All The United States of America tracks. I heard you have a vinyl of every Danielle Patucci record on German import.
I heard that you have a white label of every seminal funk hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '80s cut and another box set from the '90s.
I hear you're buying an oboe and a mellotron and are throwing your macbook out the window because you want to make something real. You want to make a Banda Bassotti record.
I hear that you and your band have sold your chamberlin and bought a sitar.
I hear that you and your band have sold your sitar and bought a chamberlin.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Harpers Bizarre,
PIL,
Con Funk Shun,
Sonny Sharrock,
Adolescents,
Beasts of Bourbon,
Sly & The Family Stone,
Joe Finger,
Gang Gang Dance,
Gil Scott Heron,
Negative Approach,
One Last Wish,
Das Ding,
Liaisons Dangereuses,
Teenage Jesus and the Jerks,
The Monks,
Lou Reed & John Cale,
Suicide,
Bizarre Inc.,
Chris Corsano,
Marine Girls,
Susan Cadogan,
Au Pairs,
Wally Richardson,
Bill Wells,
The Red Krayola,
Mantronix,
Bootsy Collins,
Man Parrish,
Masters at Work,
Major Organ And The Adding Machine,
June Days,
Monks,
DJ Style,
Bobby Hutcherson,
Bluetip,
Eric Copeland,
Loose Ends,
Thee Headcoats,
Dawn Penn,
Fad Gadget,
Jeff Lynne,
Los Fastidios,
Average White Band,
The Cramps,
Terror Squad Feat. Camron,
The Electric Prunes,
Slick Rick,
The United States of America,
LL Cool J,
Stiv Bators,
Bang On A Can,
KRS-One,
Neil Young & Crazy Horse,
Bob Dylan,
Talk Talk,
The Searchers,
Youth Brigade,
The Kinks,
The Sound,
Brothers Johnson,
cv313,
Justin Hinds & The Dominoes, Justin Hinds & The Dominoes, Justin Hinds & The Dominoes, Justin Hinds & The Dominoes.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.