Infinitely Losing My Edge
Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Ecuador and from Delhi.
But I was there.
I was there in 1973.
I was there at the first Television show in New York.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1968 to 1970.
I'm losing my edge.
To all the kids in Accra and Houston.
I'm losing my edge to the art-school Spokane kids in little jackets and borrowed nostalgia for the unremembered nineties.
I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1962 at the first Guess Who practice in a loft in Winnipeg.
I was working on the theremin sounds with much patience.
I was there when Robert Palmer started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Brick to the funk kids.
I played it at Cafe Wha.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.
But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.
I'm losing my edge.
I heard you have a compilation of every good song ever done by anybody.
Every great song by DJ Sneak. All the underground hits.
All The Dave Clark Five tracks. I heard you have a vinyl of every The Velvet Underground record on German import.
I heard that you have a white label of every seminal rap hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '70s.
I hear you're buying an arpeggiator and a harpsichord and are throwing your macbook out the window because you want to make something real. You want to make a X-101 record.
I hear that you and your band have sold your arpeggiator and bought a spring reverb.
I hear that you and your band have sold your spring reverb and bought an arpeggiator.
I hear everybody that you know is more relevant than everybody that I know.
But have you seen my records?
Soul Sonic Force,
Sarah Menescal,
The Shadows of Knight,
Sugar Minott,
Toni Rubio,
The Knickerbockers,
U.S. Maple,
The Trojans,
Althea and Donna,
Cabaret Voltaire,
Barclay James Harvest,
Black Pus,
The Cosmic Jokers,
Pylon,
The Blues Magoos,
Depeche Mode,
Bootsy Collins,
Kurtis Blow,
Visionaries,LMNO, T- Love & Iriscience,
Sexual Harrassment,
Bush Tetras,
Idris Muhammad,
Sam Rivers,
Be Bop Deluxe,
Morten Harket,
The Barracudas,
the Swans,
Lee Hazlewood,
Camberwell Now,
Echo & the Bunnymen,
Prince Buster,
Wings,
Jerry Gold Smith,
Roy Ayers,
Eric Copeland,
Nick Fraelich,
Roxette,
The Grass Roots,
Joe Smooth,
Peter Gordon & Love of Life Orchestra,
Gil Scott Heron,
Heavy D & The Boyz,
Justin Hinds & The Dominoes,
The Wake,
Pantytec,
Steve Hackett,
Louis and Bebe Barron,
Tres Demented,
Sandy B,
Cluster,
Ohio Players,
Peter and Kerry,
Frankie Knuckles,
Qualms,
Lou Reed,
Gichy Dan,
Rapeman,
Ten City,
Easy Going,
Peter & Gordon,
James White and The Blacks,
Henry Cow,
Soul II Soul,
Thinking Fellers Union Local 282, Thinking Fellers Union Local 282, Thinking Fellers Union Local 282, Thinking Fellers Union Local 282.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.