Infinitely Losing My Edge

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Yeah, I'm losing my edge.
I'm losing my edge.
The kids are coming up from behind.
I'm losing my edge.
I'm losing my edge to the kids from Chad and from New York.
But I was there.

I was there in 1976.
I was there at the first Soft Boys show in Cambridge.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the internet seekers who can tell me every member of every good group from 1964 to 1976.
I'm losing my edge.

To all the kids in Lagos and Salvador.
I'm losing my edge to the art-school Glasgow kids in little jackets and borrowed nostalgia for the unremembered nineties.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.

I was there in 1977 at the first Zapp practice in a loft in Hamilton.
I was working on the chamberlin sounds with much patience.
I was there when Tom Verlaine started up his first band.
I told him, "Don't do it that way. You'll never make a dime."
I was there.
I was the first guy playing Selector Dub Narcotic to the punk kids.
I played it at the Hacienda.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody.
Every great song by Neil Young & Crazy Horse. All the underground hits.

All The Evens tracks. I heard you have a vinyl of every Eric Copeland record on German import.

I heard that you have a white label of every seminal electroclash hit - 1985, '86, '87.
I heard that you have a CD compilation of every good '50s cut and another box set from the '70s.

I hear you're buying a rhodes and a marimba and are throwing your macbook out the window because you want to make something real. You want to make a Sight & Sound record.

I hear that you and your band have sold your linndrum and bought a guitar.
I hear that you and your band have sold your guitar and bought a linndrum.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records?

Skarface, The Pretty Things, Brass Construction, Hot Snakes, Fear, Sight & Sound, Cluster, Monolake, Brothers Johnson, Average White Band, The Golliwogs, Warsaw, the Sonics, The Pop Group, Neil Young & Crazy Horse, Marmalade, The Zeros, PIL, Harmonia, Eli Mardock, Tommy Roe, Heaven 17, Andrew Ashong & Theo Parrish, The Dirtbombs, Marvin Gaye, The Moody Blues, The Sisters of Mercy, Terry Callier, X-Ray Spex, John Foxx, Animal Collective, Jimmy McGriff, Orchestral Manoeuvres in the Dark, Eric B and Rakim, Archie Shepp, Soft Machine, Crime, Pierre Henry, Kool Moe Dee, Chris Corsano, Morten Harket, Gregory Isaacs, The Shadows of Knight, Television, The Neon Judgement, Kerri Chandler, The Dave Clark Five, One Last Wish, Aswad, Bobby Womack, Goldenarms, The Wake, Crispy Ambulance, Rhythim Is Rhythim, Joey Negro, Mr. Review, ABC, Pagans, Fugazi, Matthew Bourne, Flipper, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic, Coldchain, Rosco P., Featuring Pusha T from Clipse & Boo-Bonic.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

A hack by Matthew Ogle who is very sorry to James Murphy and basically everyone (cheers to Darius and this for the late-night inspiration)